The Very Small Can Lead to the Very Big

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I wanted to go back to our first conversation to discuss how the very small can lead to the very big. There were examples in the book of opening other books and flipping to say a random page and using that line as a catalyst at some time. Did you use that yourself with this book at all or is there another example you could give of breaking something down into very small pieces that then produce their own momentum? In the case of the book the way that I was able to get to the information in it was through doing hundreds of hours of interviews either about specific projects or on the day of a studio session where no one knew what to do. It's like increasing the toolbox of potential

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Rick Rubin (@RickRubin) is a nine-time GRAMMY-winning producer, one of Time magazine’s 100 most influential people in the world, and the most successful producer in any genre, according to Rolling Stone. He has collaborated with artists from Tom Petty to Adele, Johnny Cash to the Red Hot Chili Peppers, Beastie Boys to Slayer, Kanye West to the Strokes, and System of a Down to Jay-Z. You can find my 2015 interview with Rick at tim.blog/RickRubin.

His new book is THE CREATIVE ACT: A Way of Being.

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[00:00] Start

[06:28] Why Rick wrote The Creative Act.

[09:24] The Tao of Rick Rubin.

[12:16] Making the creative toolbox multi-purposeful.

[15:00] Collaborations: ensuring the best ideas prevail over egos.

[19:50] Creative revisions are experiments, not guaranteed improvements.

[26:44] Knowing when to be defined by or to deviate from an established genre.

[33:07] Why Rick resisted advice to make his first book an autobiography.

[37:10] Even a solo project is a collaboration.

[38:07] Noticing what nobody else sees.

[40:24] Being in the wonderful state “which makes art inevitable.”

[42:22] Craftsperson vs. artist.