Young, numibians like indenda are using the museum in ways that were probably not imagined by its designers. Some of these protests have taken place right at the foot of the enormous samoma statue and i find that very intresting. In a democratic society, people can decide what the art means to them. They can interact with it in ways that challenge its meaning.
In downtown Windhoek, Namibia -- at the intersection of Fidel Castro Street and Robert Mugabe Avenue -- there's an imposing gold building with an affectionate nickname: the Coffee Maker. This notable structure was built to commemorate Namibia’s fight for independence from apartheid South Africa, which it achieved in 1990. And for many of the visitors, the museum feels like a huge achievement. But for a museum that commemorates throwing off the chains of colonialism and forging a new era of self-determination, it has one pretty strange feature. It wasn't designed by a Namibian architect. It wasn't even designed by an African architect. It was built by North Korea's state-run design studio, which has long been a prolific maker of statues around the world. North Korea has left a distinct visual stamp across Africa in particular, with museums and monuments erected in more than a dozen African countries since the 1970s.
Monumental Diplomacy