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BPS 167: From Self-Produced Play to Hit Feature Film with John Pollono

Bulletproof Screenwriting™ Podcast

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The Dark Moment, Don't Invent It, Dont Deny It

"We shot, you know, without our sort of querograph. We shot at a whole bunch of angles, and we did it," he said. "And then we go into the shop, and we used like 90 % of the footage that we shot." The editors put together a beautiful, heart breaking sequence in which his character sees his daughter for the first time since getting out of jail.

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