When you see the original Michelangelo's David, and you sense something about it, which is transcendent in a way that actually when you see the replica in the Piazza della Senoría. There's something about the soul of that piece. For the social justice body, what they believe is, okay, who's, who's privileged does that artwork uphold? You know, that's how they see it. This is why I've always resented the deconstructive approach in literature,. That's how everyone was being taught when I was an undergraduate.

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