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ART OF THE CUT WITH THE EDITORS OF "SEVERANCE" - Geoffrey Richman, ACE and Erica Marker, ACE
Art of the Cut
The Range of Characters in ADR
The actors were flawless. They just always hit the lines. But then they did give a range intentionally. It was really just calibrating when do you turn up the dial on how that person's feeling because it was there. And Ben also does such a great thing where if a shot is not framed exactly how he wants, he stops them immediately. There is almost nothing that's unusable.
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