ART OF THE CUT WITH THE EDITORS OF "SEVERANCE" - Geoffrey Richman, ACE and Erica Marker, ACE
Art of the Cut
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The Range of Characters in ADR
The actors were flawless. They just always hit the lines. But then they did give a range intentionally. It was really just calibrating when do you turn up the dial on how that person's feeling because it was there. And Ben also does such a great thing where if a shot is not framed exactly how he wants, he stops them immediately. There is almost nothing that's unusable.
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