
Episode 2516: Jason Pack on the Trumpian Post-Apocalypse
Keen On America
Navigating Global Disorder
This chapter analyzes the rise in global disorder following Trump's presidency, emphasizing the difficulties major powers face in responding to international crises. It explores the U.S.-China trade tensions and the implications of economic interdependence, while connecting these themes to broader issues like tax havens and cyber attacks.
Americans, it’s time to move to Europe! The American geo-strategist Jason Pack anticipated last week’s advice from Simon Kuper and moved to London a few years ago during the first Trump Presidency. Pack, the host of the excellent Disorder podcast, confesses to be thrilled to have escaped MAGA America. He describes the esthetics of contemporary Washington DC as "post-apocalyptic" and criticizes what he sees as the Trump administration's hostile atmosphere, ideological purity tests, and institutional destruction. Contrasting this with Europe's ideological fluidity, Pack warns that Trump's isolationist policies are increasing global disorder by fundamentally undermining America's global leadership role with its erstwhile European allies.
Five Key Takeaways
* Pack left America because he found the "esthetics" of working in policy and media spaces increasingly distasteful, particularly during Trump's first administration.
* He argues that European political systems allow for greater ideological fluidity, while American politics demands strict partisan loyalty.
* Pack describes Washington DC as "post-apocalyptic" with institutions functioning like zombies - going through motions without accomplishing anything meaningful.
* Unlike European populists who want to control institutions, Pack believes Trump's administration aims to destroy government institutions entirely.
* Pack warns that America's deteriorating relationships with traditional allies is creating a "rudderless world" with increased global disorder and potential for conflict.
Full Transcript
Andrew Keen: Hello, everybody. Over the last few days, we've been focusing on the impressions of America, of Trump's America around the world. We had the Financial Times' controversial columnist, Simon Cooper, on the show, arguing that it's the end of the American dream. He had a piece in the FT this week, arguing that it's time to move to Europe for Americans. Not everyone agrees. We had the London-based FT writer Jemima Kelly on the show recently, also suggesting that she hasn't quite given up on America. She is, of course, a Brit living in the UK and looking at America from London. My guest today, another old friend, is Jason Pack. He is the host of the Excellent Disorder podcast. Jason's been on the shows lots of times before. He's an observer of the world's early 21st century disorder. And he is an American living in London. So I'm thrilled that Jason is back on the show. Jason, did you have a chance to look at Simon Cooper's piece? Is it time for Americans to move to Europe?
Jason Pack: You've already moved. Well, he's just popularizing what I've believed for eight or 10 years already. So yeah, I looked at the piece. I really enjoyed your podcast with him. I don't think many Americans will move because most Americans are not particularly global in their outlook. And as disenchanted as they will be, their networks of family and of perspective are in America. Some elites in media and finance will move. But for me, I just found the aesthetics of America becoming distasteful when I worked in D.C. during the first Trump administration. And that's why I pursued a European citizenship.
Andrew Keen: Jason, it's interesting that you choose the word aesthetics. Two thoughts on that. Firstly, America has never been distinguished for its aesthetics. People never came to America for aesthetics. It's never been a particularly beautiful country, a very dynamic place, a very powerful place. So why do you choose that word aesthetic?
Jason Pack: Because for most upper middle class Americans, life under Trump, particularly if they're white and heterosexual, will not change tremendously. But the aesthetics of working in the policy space or in the media will change. Having to deal with all the BS that we hear when we wake up and turn on the TV in the morning, having to interact with Republican nutcase friends who say, oh, the fat is being trimmed by the doge and don't worry about all those people who've been being laid off. The aesthetics of it are ugly and mean. And I have found among some Republican colleagues and friends of mine that they love the vileness of this dog-eat-dog aesthetic.
Andrew Keen: Yeah, it's an interesting way of putting it. And I understand exactly what you're saying. I'm less concerned with the aesthetics as with the reality. And my sense in some ways of what's happening is that the Trump people are obsessed with what you call aesthetics. They want to appear mean. I'm not actually sure that they're quite as mean as they'd like to think they are.
Jason Pack: Oh, they're pretty mean. I mean, people are running around the NIH offices, according to colleagues of mine. And if you're out to the bathroom and your card is inserted in your computer, they go in, they steal the data from your computer.
Andrew Keen: Actually, I take your point. What I meant more by that is that whereas most traditional authoritarian regimes hide their crimes against migrants. They deny wrongdoing. My sense of the Trump regime, or certainly a lot of the people involved in this Trump administration, is that they actually exaggerate it because it gives them pleasure and it somehow benefits their brand. I'm not convinced that they're quite as bad as they'd like to think.
Jason Pack: Oh, I agree with that. They make Schadenfreude a principle. They want to showcase that they enjoy other people's pain. It's a bizarre psychological thing. Trump, for example, wanted to show his virility and his meanness, probably because he's an inner coward and he's not that feral. But we digress in terms of the aesthetics of the individual American wanting to leave. I experienced American government, like the State Department, and then, the bureaucracy of the policy space, say think tanks, or even the government relations trade space, say working for oil companies and government relations, as already authoritarian and ass-kissing in America, and the aesthetics of those industries I have always preferred in Europe, and that's only diverging.
Andrew Keen: One of the things that always struck me about Washington, D.C. It was always uncomfortable as an imperial city. It always has been since the end of the Second World War, with America dominating the world as being one of two or perhaps the only super power in the world. But Washington, DC seems to always have been uncomfortable wearing its imperial mantle cloak in comparison, I think, to cities like London or Paris. I wonder whether, I'm not sure how much time you've spent back in America since Trump came back to power. I wonder if in that sense DC is trying to catch up with London and Paris.
Jason Pack: I actually was giving a briefing in Congress to staffers of the House Foreign Affairs Committee only three weeks ago, and DC seemed post-apocalyptic to me. Many of my favorite restaurants were closing. There was traffic jams at bizarre hours of the day, which I think this is because the Trump people don't know how public transport works and they just ride their cars everywhere. So, yes, it seemed very bizarre being back. You were trying to gauge the interlocutor you were speaking to, were they merely pretending to be on board with Trump's stuff, but they actually secretly think it's ridiculous, or were they true believers? And you had to assess that befor...


