"Chicago" by Sufjan Stevens
Strong Songs
The Most Dramatic Chord Progression
The most dramatic sound is one moving to five minor. Five isn't typically a minor chord, it's usually a dominant chord. The first two chords of col plays thousand and two mega hit clocks are one to five minorslank. Both have this kind of repeating, iconic cord progression that they both rely on.
D, A, C, G. Four chords, placed end to end, repeated over and over again.
On this episode, Kirk takes a deep dive into Sufjan Stevens's "Chicago," the centerpiece of his brilliant 2005 album Illinois. It's a towering construction supported by four chords, with building blocks of vibraphones, wurlitzers, strings, and choral harmonies.
D, A, C, G. Eyes on the road; all things go.
Artist: Sufjan Stevens
Album: Illinois (2005)
Written by: Sufjan Stevens
Listen/Buy via Album.Link
ALSO REFERENCED/DISCUSSED:
- "The Bird Women of Golden Gate Park" by Kirk Hamilton from The Exited Door, 2009
- "Supernova" by Meklit from When The People Move, The Music Moves Too (2017)
- "Come on! Feel the Illinoise!" by Sufjan Stevens from Illinois, 2005
- "X. Section 8" by Steve Reich from Music for 18 Musicians, 1978
- "Clocks" by Coldplay from A Rush of Blood to the Head, 2002
OUTRO SOLOIST: Kirk Hamilton
Kirk is, well, the host of Strong Songs. He decided to finally record an outro solo at the start of 2020. He's playing tenor sax, and there's actually a video of him recording the solo here: https://twitter.com/kirkhamilton/status/1214319584959877123
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