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James Mangold writes and directs films across multiple genres, but the one style he uses as a prism for so much of his work is the American Western. James and Marc talk about how A Complete Unknown fits into the Western mold and why the placement of the camera was of utmost importance in telling this specific story about Bob Dylan. James also explains his directorial strategy and how it factored into the making of his films like Heavy, Walk the Line, 3:10 to Yuma and Ford v Ferrari. 

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