I think there's a cynical way to read this I think crucial passage here. When they say but as time goes by they begin to realize that even if the child could be released it would not get much good of its freedom. It is too degraded and imbecile to know any real joy indeed after so long. They don't know they're speculating about what would happen if you freed it, especially when they say it would probably be wretched without like having its own excrement to sit in. But I want to know because the rest of the paragraph also strikes me as bullshit in a slightly more subtle way.
David and Tamler are pulled into Ursula K. Le Guin's "The Ones Who Walk Away from Omelas." Omelas is a truly happy city, except for one child who lives in abominable misery. Is that too high a moral cost? Why do some people walk away from the city? Why does no one help the child? Why does Le Guin make us create the city with her? Plus, we talk about our listener meetup in Vancouver, and a new edition of [dramatic music] GUILTY CONFESSIONS. Note: if this episode strikes you as too puritanical, then please add an orgy.
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