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Exploring Duality: Good, Evil, and the Occult in Film
This chapter investigates the intricate relationship between good and evil as portrayed in horror films, particularly examining Robert Eggers' 'Nosferatu' and Coppola's 'Dracula'. It discusses the psychological concepts of embracing one's darker self and the evolving representations of female agency amidst predestined narratives. Through a lens of occult themes and theological undertones, the speakers analyze how these films reflect societal fascinations with darkness and the complexities of moral choices.