The Suicide Squad with James Gunn
Script Apart with Al Horner
The Process of Writing the First Draft
In this chapter, they discuss the process of writing the first draft of a James Gun screenplay. They talk about how James tends to write extensive treatments before jumping into a first draft. They also discuss how James likes to change his writing approach to keep his interest in writing.
And we’re back! Welcome to season two of Script Apart – a podcast about the first draft secrets of great movies. Each episode, a brilliant screenwriter revisits their initial screenplay for what became a beloved movie, discussing what changed, what didn’t and why – from first draft to the big screen.
Because we’ve missed you, we’re kicking off the season with not one, not two, but three episodes over the coming week. Joining us for the first is a writer-director who needs very little introduction. James Gunn’s hyper-bright, ludicrously funny adventure comedies have made him a blockbuster cinema household name, known for ripping up the rulebook on superhero storytelling. Having made two acclaimed Guardians of The Galaxy movies for Marvel, James recently turned his attention to another comic book stable of characters – DC. The Suicide Squad, his latest movie, starring Idris Elba and Margot Robbie, sees a group of incarcerated villains from the world of Batman, Superman and Wonder Woman blackmailed into taking on a dangerous mission for the US government.
Part reboot, part sequel to 2016’s Suicide Squad, The Suicide Squad features, among other things, a talking shark, a grumpy sharpshooter, a homicidal cheerleader and a man made up almost entirely of polka dots. Together, they visit a remote South American island, where they do battle with a giant starfish from outer space, as you do. On today’s episode, we hear how the film’s hilariously sharp screenplay came together. Get ready to discover why James originally toyed with pitting his ragtag team of misfits up against Superman in the movie, why the American government is the real villain of the film, why he loves rooting outlandish characters in a humanising sadness and how he originally planned to kill a beloved character in The Suicide Squad – only to decide that it would be just too heartless.
This film famously coincided with a tumultuous time in James’ life: in 2018, he was fired by Marvel over historic tweets that were deemed offensive by his Guardians Of The Galaxy bosses. This was the project that, in his own words, saved him. He’s since been rehired by Marvel, and is back working on Guardians Of The Galaxy 3, but at that time, James feared for his career. Listen out for the philosophy about storytelling that got him through that difficult time, and ensured he came out of it a better writer and filmmaker. Also in the episode, James’s guide to writing great action and how to get yourself out of a corner when you kill a character in your script who – uh oh – it transpires DC aren’t done with yet.
This is a spoiler-filled conversation so if you’re yet to see The Suicide Squad, hit pause now, get yourself to a cinema then come back as we dive into this film’s major plot points like a javelin-wielding Harley Quinn into the eyeball of a giant alien starfish.
Support for this episode comes from Screencraft, MUBI and WeScreenplay.
Script Apart is hosted by Al Horner and produced by Kamil Dymek, with music from Stefan Bindley-Taylor. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com. Get a free digital copy of the Script Apart Magazine by supporting us on Patreon! 51 pages of interviews with great screenwriters, including exclusive conversations you won't find anywhere else. You can also now support the show on Ko-Fi.
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