How JAS and I Made Music Together

I always make music for myself as I go through, you know, plugging in stuff and figuring out if things are working. And I often got that itch scratched by doing the SMD stuff with JAS but he was going through some kind of health issues at the minute so I had a bit of extra free time. So I sort of started writing some melodies and lyrics and stuff. Then I thought I could just sing it if I,. you know, had the balls to do it. Here we are. Amazing.

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In this episode, John ventures over to Clapton to join James Ellis Ford and talk about how he wrote, recorded, and produced the album ‘The Hum’.

His debut solo release after almost two decades working with some of the world's biggest artists, James looks back on how his approach to music has changed over the course of the album, reflecting on the different mindsets and decisions that come with producing his own work compared to that of others.

As well as a deep dive into his vast studio setup and hybrid system of new and old creative techniques, we’re treated to thoughts on the fine line of ironing out the humanness of mistakes, and how more often than not, pieces of gear can give you back ideas that you’d never have expected.

Listen to find out which undiscovered mics are used across almost all of the records he works on, how to implement a Frippertronics-style tape setup, and what you can create when you push a bass clarinet to its limits.

Tracks discussed: I Never Wanted Anything, Squeaky Wheel, The Yips

LINKS TO EVERYTHING TAPE NOTES

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Listen to ‘The Hum’ here.