Using the Claw as an Emotional Rescue Twist

In our final episode of 2023, Michael Arndt – the acclaimed writer of films like Little Miss Sunshine and Star Wars: The Force Awakens – drops by for a two-hour dissection of his script for Toy Story 3 –a Pixar sequel that went to infinity and beyond when it came to thrills, laughter and emotion.  

Directed by past Script Apart guest Lee Unkrich, the 2010 film could have repeated the formula that made past the franchise’s previous films a global phenomenon, making instant icons out of Woody, Buzz and their found-family of fellow play-things. Instead, it leapt forward in time to find Andy, the toys’ owner, all-grown up and about to head to college, heaping huge existential questions on fans’ beloved characters. If a toy is retired to an attic, never to be played with again, what is their reason to be? What does it mean to be outgrown by people you love, who no longer love you in return?

If that sounds heavy for what is ostensibly a kids’ tale, wait till we remind you that Toy Story 3 was a movie set mostly in a brutal toy internment camp that ends with our heroes about to be incinerated. That boldness is why many regard the film as being “peak Pixar” – and can you blame them? Toy Story 3 capped a remarkable run of hits for the animation studio that included Ratatouille in 2007, Wall-E in 2008 and Up in 2009. No wonder Michael and co felt emboldened to take risks on this third instalment of the franchise – risks that reaped incredible storytelling rewards.

Michael was picked by Pixar – presumably via email or a phone call, rather than a giant mechanical claw like the ones in Pizza Planet – because few storytellers do grounded emotion and dysfunctional families like he does. At the onset of his career, across three days in May 2000, he’d written a screenplay about a family on a road trip to New Mexico that became a monster hit. Little Miss Sunshine earned the Virginia-born screenwriter a Best Original Screenplay Oscar in 2006 and catapulted him onto the radar of Pixar, whose brain trust would soon begin cooking up a story for a third movie in their Toy Story franchise.

In the conversation you’re about to hear, Michael breaks down the many early iterations of this movie, including an abandoned Toy Story 3 from before his time on the project, in which the toys travel to Taiwan after Buzz is shipped there following a global product recall on the toy. We get into the machinations of Lotso Huggin’ Bear, how the story is deep down one about parenthood and of course, that traumatising moment our heroes hold hands, staring down certain death.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.

Support for this episode comes from ScreenCraft and WeScreenplay.

To get ad-free episodes and exclusive content, join us on Patreon.

Support the show

Hosted on Acast. See acast.com/privacy for more information.