Shakespeare's work is so singularly weird and demented. He could make something that wasn't just a gift to the beloved, but wed. His hands are working in space as well as along the line. So you end up with this beautiful thing where every word's talking to every other words,. It's got comedy as well as melody.
Melvyn Bragg and guests discuss the collection of poems published in 1609 by Thomas Thorpe: Shakespeare’s Sonnets, “never before imprinted”. Yet, while some of Shakespeare's other poems and many of his plays were often reprinted in his lifetime, the Sonnets were not a publishing success. They had to make their own way, outside the main canon of Shakespeare’s work: wonderful, troubling, patchy, inspiring and baffling, and they have appealed in different ways to different times. Most are addressed to a man, something often overlooked and occasionally concealed; one early and notorious edition even changed some of the pronouns.
With:
Hannah Crawforth
Senior Lecturer in Early Modern Literature at King’s College London
Don Paterson
Poet and Professor of Poetry at the University of St Andrews
And
Emma Smith
Professor of Shakespeare Studies at Hertford College, Oxford
Producer: Simon Tillotson