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WHY WE BLEEP 030: JAMIE LIDELL

Why We Bleep

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You Need Limits to Be Creative

I had no digil ado work station. It was just middy of em and thes all these sections coming in after th nine 50, where i re sampled the track,. And it's all vibratoed out, and it's plan on top of itself, and its phazing. I listen back to tracks, or do trackle freely freaking, or like a e pe freely freaking in 19 96 on mosquito record that was made. If you cald only fit, like, only wit two legs of sample, like 750 kilabites ere, you can jus fil lat, fill it up and just go i'ven’t got any more, and make it

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