The Complexity of Family and Storytelling

<p>In the hour’s following her mother’s death, Martha Baillie undertook two rituals — preparing a death mask of her mother’s face, and washing her mother’s body. That intimacy shaped her grief. She had learned earlier to witness death and be present, living with regret after she left the room to get a nurse when her father died. For Baillie her mother's body was not a corpse that has no life. To her, it would "always be something alive." The novelist and writer explains what signified the difference in her book, <em>There Is No Blue</em>, the 2024 winner of the Hilary Weston Writers’ Trust Prize for Nonfiction.</p>