Is it weird that I think it's funny? Is it, you know, I think the comedy part of my career is still going. I think it's still active. Wow. And part of that, you know, part, I talk about it as sort of like the difference between comedy and horror is the music. And it really does, it does feel like that. You know, when we, uh, I'm sorry, I'm sorry. Now I'm picturing,

now I'm picturing the scene in get outs with the guys running, like, you know, he's running at the camera

and he's like head on, but now I'm picturing like did it, did it, did it, did it, I mean. Just like Benny Hill and it's funny. It's funny. And it's very funny. And I could have done it. I was at the finish line with that film. I could have gone either way. It would have been a very different film. Um, but, but thank you for saying that. Uh, yeah, no, I, I, I, I love comedy. It, it became very, uh, complex. Right. Somehow making comedy in this world, as it is complex, I think making anything or getting anything accomplished in this world. It feels like you were the only person who wasn't surprised

about the filmmaker you would turn into, you know. And I think it's because you came from this world of sketch and sketch always seems unplanned and unprepared. It seems off the cuff, but there's

so much work that goes into it. And, and now you, you turned into, or rather you've been revealed to us as this, this, this film maker. Like when I was watching Nope, you're sitting in that movie theater. Nobody knows what's going to happen, why it's going to happen, how it's going to happen. You successfully got people to not spoil any of the plot points. I don't know how you did that. Because people who saw they're like, have you seen Nope? I was like, no, I haven't. How is it? They're like, whoa, Nope.

Yeah,

yeah. But you, you create, like, you create a feeling.

Thank you.