Visual Inspiration from Religious Art

 Wow, do we have a conversation for you! My filmmaker-theologian friend Sarey Martin Concepción and I sat down with director Lofty Nathan about his wild new film "The Carpenter's Son"—and let me tell you, this isn't your Sunday school Jesus. We're talking Nicholas Cage as Joseph (yes, he's a national treasure), FKA twigs bringing something totally unconventional to Mary, and demon snakes that literally made my phone start searching when I mentioned them. The film pulls from the Infancy Gospel of Thomas—one of those apocryphal texts that didn't make the canonical cut but the Coptic Orthodox Church has preserved—and asks the question nobody really wants to ask: what was it actually like for Jesus to figure out he was, you know, God? Nathan, who grew up Coptic Christian himself, doesn't sanitize anything here. We dig into all the big stuff: identity crises, divine vocation, the problem of suffering, and what happens when your kid can perform miracles but doesn't quite get the whole "with great power" thing yet. Fair warning: I watched this alone in the dark and those demon snakes freaked me out. But underneath the horror elements, there's this sincere, thoughtful wrestling with what incarnation really means. November 17th, folks—see it in theaters where you can properly freak out with other people.

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Advent marks the beginning of the church year—an invitation to step out of the empire's time and into God's time, where the last are first, the mighty are scattered, and a child born in occupied territory changes everything.

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