The Importance of a Three Minute Model in Garage Music

The idea of a transition into something else was there when you listen back to that original Plymouth pavilions recording. It didn't feel unfinished but it felt unresolved as a lot of stuff does in our back catalogue if the song never actually resolved so um it's yeah it just felt like I wanted to have that as a basis and then I knew that if I had that it would go somewhere interesting with George playing with itSo yes they were two separate things yes I've just remembered soYeah we're always trying to achieve what John Hopkins has this ability to kind of make like really transcendental insanely experiential music which still exists in familiar major chord progressions.

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