Tony Chambers: the magazine editor’s transformative journey from a Liverpool terrace to the Barbican penthouse of his dreams
Homing In
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The Importance of Reading, Absorbing and Understanding the Copy and the Intent of the Piece
I first became aware of you and your work when I was a young sub editor at World of Interior. You were art director at GQ in the same building in Vogue House. A friend who worked on the magazine, but also had good contacts at Conde Nast, said, oh, the job at GQ is up because the art director had left. Angus McKinnon, who was the editor then? So I don't need to even got one with him. He was so refreshingly different. And he had pictures of owls in his office.
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