The Colour of the Past in the 60's

i wanted it to be that, like, modern london is sort of a quite forbidding and unfriendly. The idea was to make the 60 sequences look like they were short in technical or eastman color thaugh. We shot soho for soho, both the modern day and the 60 stuff. And we had to rehearse it on an air strip because there was no way of rehearsing it on the real location. It's amazing how many people will just agree? I think this sort of two things kind of appealed to me. There are other scenes in the movie, like the second dream, wie joy a driving rip of soho with mat smith and ann