North Korea was once seen as a pariah state with a cruel and ruthless leader at the helm. The country's economy all but collapsed. One of its few remaining exports, one of its last points of connection with the outside world, was its giant statues. 'The only country that really does socialist realism is north korea,' says historian ben young again.
In downtown Windhoek, Namibia -- at the intersection of Fidel Castro Street and Robert Mugabe Avenue -- there's an imposing gold building with an affectionate nickname: the Coffee Maker. This notable structure was built to commemorate Namibia’s fight for independence from apartheid South Africa, which it achieved in 1990. And for many of the visitors, the museum feels like a huge achievement. But for a museum that commemorates throwing off the chains of colonialism and forging a new era of self-determination, it has one pretty strange feature. It wasn't designed by a Namibian architect. It wasn't even designed by an African architect. It was built by North Korea's state-run design studio, which has long been a prolific maker of statues around the world. North Korea has left a distinct visual stamp across Africa in particular, with museums and monuments erected in more than a dozen African countries since the 1970s.
Monumental Diplomacy