Do You Always Submit New Work to Traditional Publishing?

For me, I think a publishing is a business. I'm here to support myself and my family. And so look at projects and decide, okay, where am I going to get the best return from my time and energy? So for example, I did an anthology project as an editor with Clive Barker and my co-editor, Del Housen. We looked at Clive's novella cabal and his movie Nightbreed. That was the kind of project that just wasn't going to work as a traditionally published project. There's too many moving parts. Timelines were not something that traditional publishing could handle. But we went that route with that particular project.