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E2: Foreword w/ Zoë Keating
How to Build a Sustainable Music Career and Collect All Revenue Streams
How to Collect on Your Publishing
I've always been concerned that if I were to suddenly switch to TZAC. That my television royalties, there would be a gap there. There's actually another probably rights organization which was the one that was created by what's his name. He created his own and I was going to go on to that one. Like to Fruso. My co-composer was really trying to pull me over there. But anyway, that's not good for his co-workers. For sure. And so you want to be with the group and kind of find you more money. Mm hmm.
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