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MATT REEVES - Director

Team Deakins

CHAPTER

The Importance of Soft Light in CG Films

"I can't tell the difference between this and a relay, but it seems totally real," he says of first film's lighting. The director wanted to use more shallow depth of field so that there'd be fall off. "It might meant that a big part of the apes were going to be shrouded in shadow," Serkis adds.

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