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BPS 230: The Writer's Room Survival Guide with Niceole R. Levy

Bulletproof Screenwriting™ Podcast

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Supervising Producer, Co Executive Producer and Executive Producer

"You just start to get a little bit more responsibility," she says. "If they need really quick rewrites on things, they might look to you because the upper level writers are busy on something else." At ko e p, it's really, you're probably running the room most of the time, or some of the time,. dependingon if there's another ko e p. You may stay on for production when everybody else gets released, once you get to that level".

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