What's It Like to Memorize on the Level of Performance Your Own Lines?

This year’s New Yorker Festival featured two conversations with renowned playwrights: Suzan-Lori Parks and Martin McDonagh. Parks, the first African American woman to receive the Pulitzer Prize for drama, sat down with the staff writer Vinson Cunningham. “The marketplace is telling us that Black joy is what sells,” she said. “I’m very suspicious about what the marketplace wants me to create because I know in my experience where real Black joy resides—and sometimes that’s in the place where there might be some traumatic thing that also happened.” A revival of Parks’s groundbreaking play, “Topdog/Underdog,” just opened on Broadway. 

And McDonagh, who is out with a new film, “The Banshees of Inisherin,” spoke with Patrick Radden Keefe. “The Banshees of Inisherin” traces the story of a friendship breaking apart in the beautiful, remote hills of western Ireland. “I just wanted this [movie] to be sort of plotless in a way,” McDonagh said. “Just to have the unravelling of this breakup be what the whole story was about.”