i'm wondering if every good act of fiction not only doesn't include the skills ofof a good writer, but should touch upon some deeper moment of your life. The man who taught me writing, tom spanbower, he he ran a method he called dangerous writing where you have to write about some unresolved aspect of your life using as much of a metaphor as you can. And that story has got to be serving you first, or is diffi ant to serve anybody else. Thanks to us in to part one - also available to day. We dive deep into the writing process with chuck palanic.

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