
75: Cinematic Lighting, Fuji X100V and GoPro
The Stalman Podcast
How to Light a Commercial With Negative Fill
I think we all secretly kind of wish we were shooting feature films whether we actually want to spend six months working on it or not. A lot of our stuff is fashion and the clothes need to be very visible. It needs to feel very positive and relatively bright. Still, the rule applies that generally you want to be lighting from behind. This has been an interesting and challenging thing for me to integrate more and more.
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