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Wedding Filmmaking - The Act Of
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How to Shoot a Wedding Day Efficiently
"I'm usually doing gimbal stuff and then Claire for first look portraits is usually on monopod on either a 135 or 70 to 200 getting all the tight shots," she says. "We have pretty like firm roles on the day of like who's getting what, what is happening? Like who needs to shoot what?" he adds. 'No communication is not good in a marriage'
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