156 - The Music of Oppenheimer
Dolby Creator Talks
The Magic of a Director That Knows How to Use Music
We had three months of experimenting and writing coming up with the sonic landscape of the score, which I would call pre-production because it's literally pre-production before Chris Nolan goes off the shoot. And so when he takes off the shoot, he has about three hours of music that we've been working on. So there's no temporary music from anybody else or any other project. It's your music for this project.
00:00
Transcript
Play full episode
Remember Everything You Learn from Podcasts
Save insights instantly, chat with episodes, and build lasting knowledge - all powered by AI.
