Exploring Byron's English Canto's and Their Social Intrigues

Few poets have had the courage (or inclination) to rhyme ‘Plato’ with ‘potato’, ‘intellectual’ with ‘hen-peck’d you all’ or ‘Acropolis’ with ‘Constantinople is’. Byron does all of these in Don Juan, his 16,000-line unfinished mock epic that presents itself as a grand satire on human vanity in the tradition of Cervantes, Swift and the Stoics, and refuses to take anything seriously for longer than a stanza. But is there more to Don Juan than an attention-seeking poet sustaining a deliberately difficult verse form for longer than Paradise Lost in order ‘to laugh at all things’? In this episode Clare and Colin argue that there is: they see in Don Juan a satire whose radical openness challenges the plague of ‘cant’ in Regency society but drags itself into its own line of fire in the process, leaving the poet caught in a struggle against the sinfulness of his own poetic power, haunted by its own wrongness.

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Read more in the LRB:

Clare Bucknell: Rescuing Lord Byron

https://www.lrb.co.uk/the-paper/v45/n23/clare-bucknell/his-own-dark-mind

Marilyn Butler: Success

https://www.lrb.co.uk/the-paper/v04/n21/marilyn-butler/success

John Mullan: Hidden Consequences

https://www.lrb.co.uk/the-paper/v25/n21/john-mullan/hidden-consequences

Thomas Jones: On Top of Everything

https://www.lrb.co.uk/the-paper/v21/n18/thomas-jones/on-top-of-everything

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