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ART OF THE CUT with Oscar nominee Jay Cassidy, ACE on editing David O. Russell's "Amsterdam"
Art of the Cut
Love It, Love It or Love It?
It seems like most of that scene is played without score and then at a certain point score comes in. Can you talk about how and when you choose to spot score when do you go now I need music? That's a pretty good example because the score comes at the point where the rhythm of the scene changes. It's basically real time when they're talking about love but as soon as he looks down at the body it comes off of Bert looking down and he says he was such a kind man. So that became the point where since you're changing the storytelling rhythm it said oh this feels right to begin the music cue here.
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