042. Wong Kar-wai: In The Mood for Love
Deep Cut: A Film Podcast
00:00
The Loneliness of the Movie
First time you hear it is when you see missus shan go by noodles, and then shortly after, mistu chaw goes by modles. That's when the movie starts opening up into the performative aspects between them. If anything, it begins as a theme of loneliness more than anything. The final time that you hear sort of this theme, it becomes a variation of itself. It's like the memory has become distorted, but still contains a rawness. So i think these kinds of moments were like the calculated ports a demovalove kind of betray themselves.
Transcript
Play full episode
