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ART OF THE CUT WITH THE EDITORS OF "SEVERANCE" - Geoffrey Richman, ACE and Erica Marker, ACE
Art of the Cut
The Tone of Escapita Nomura
There was a feeling you got from reading the scripts, for sure. Like I had worked with Ben previously on Escapita Nomura and I had a sense of pacing from that show. That didn't necessarily stick all the way through because it's a different show, but just as a starting point. And some of it was relevant, like a slower pacing and like holding on things longer. It opened it up to a wider range of pace and style and things like that.
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