The only way you can make money in the music industry this day is by owning copyright to song catalogs. Tim Heidecker: The timbre of a person's voice is probably going to be a kind of digital asset, something that can be owned, licensed, purchased and a source of revenue. Vic Berger: In a few years, vocal emulator technology is going to be professionalized, industrialized, and monetized.
On this show we explore three different AI and machine-generated music technologies; vocal emulators that allow you to deep fake a singer or rapper’s voice, AI-generated compositions and text-to-music generators like Google Music LM and Open AI’s Jukebox, and musical improvisation technologies. We listen to the variety of music these technologies generate, and two guitarists face off against an AI in improvised guitar solos.
Along the way, we talk to philosophers of music Robin James and Theodore Gracyk about what musical creativity is and whether machines are more or less creative than human musicians, and Barry gives his take on each of the technologies and what they mean for the future of musical creativity.
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