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The Landsperkum Lands
I was really interested in the relationship between that film and a film you did previously in Kenya about poachers. You were filming the poachers as well as the guys trying to stop them. How did you balance that? And did that influence the way that you then went to shoot the territory? I learned a lot from the director, John Cosby, on the Landsperkum Lands. The power of film is to transport you into this complex, messy human space.