Last Night in Soho with Edgar Wright and Phil Lord (Ep. 328)
The Director’s Cut - A DGA Podcast
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Film Review - I'm Really Proud of Those Secrets
I addressed to contemporaries, so e go home and they change. I did one like, kind of like gorilla shot, because i wanted to catch soho as it really was. So when we were shooting the stuff with annie taylor joy and mat on the streets, it was the period stuff,. But out of the corner of every frame, the modern world is like right there. We had a a steady cam hidden in a rickshaw. They have those kind of party rickshaws in london. There's a lot of people going, ma.
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