The Piano and the Reverb - Is That Really What You Want?

Most of these things are sends from pianos. We go through each one here. And was it a case of, you know what, it would be great if we could have something else here as well that was doing something? Is it that kind of question? I think it's like how to keep interest, where to make variation and how to make variation because we wanted to do everything through the piano.

Play episode from 46:42

chevron_right

Transcript

chevron_right

Transcript

Episode notes

Thanks to SoundBetter for supporting this episode of Tape Notes.

SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.

Head to SoundBetter.com to find out more.

In this episode, John ventures over to Hackney to catch up with Tom Odell and producer Laurie Blundell about how they wrote, recorded and produced the album ‘Best Day Of My Life’.

As well as studio stories about the relationship between the voice and piano and the mindset needed when separating them, the duo share their thoughts on keeping the soul within songs, and the importance of musical authenticity in today’s world.

Listen to find out which DJing plugin became integral to their process, how Rick Rubin pretty much co-produced the album with inspirational quotes, and why a kick drum became the cause of the pair’s biggest fall out.

Tracks discussed: Best Day Of My Life, Just Another Thing We Don’t Talk About, Flying :))

LINKS TO EVERYTHING TAPE NOTES

linktr.ee/tapenotes

Listen to ‘Best Day of My Life’ here.