Speaker 1
But I think also from a editing standpoint, like when you're cutting interviews, the majority of our year has been cutting interviews. When we would look at an intro that Chris or TIGA on our team would do, we'd take a step back and be like, that stylistically represents how cool and, you know, again, like that's the brand we want to be building. Like stylistically, that's super cool. And it was almost like this lost art of editing because as we were cutting interviews, like there's less post-production that goes into that. There's less storytelling. There's less of those, you know, exciting moments. So the video essay was also the moment to like shine.
Speaker 4
Puss and Minhaj is one of the master storytellers of our generation. That's on! That's on! But it
Speaker 5
didn't happen overnight. Ten years, one month and nine days of training. Yeah,
Speaker 2
we don't just cut interviews. Look what else we can do. Yeah,
Speaker 4
It's an identity piece. When we put out the Mr. Beast
Speaker 1
doc, there was multiple people who hit me up and were like, who is there filming with you guys? And I was like, no, it was us. We were the ones filming. Like we are the guys. They're like, I didn't even know you guys did that. Yeah. And you're like, no, that's where our career has started. Our whole career has been calling and I traveling around with cameras. And you're like, the identity is sometimes challenging to communicate. The majority of people know us as guys who interview people and, you know, talk. And I think that's like the, that's a really interesting balance of like, trying to communicate the identity that you know for yourself as a creator and as an artist.
Speaker 5
So I'd love to talk about some of like the nitty gritty behind editing your interviews and the talk show and how that's different from saying the documentary and what that process is for you guys. I think editing interviews has
Speaker 4
surprised us the way that we edited.
