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Haris Zambarloukos - Cinematographer
Team Deakins
Can't We Point Them at the Aris?
i borrow the maquete of the set, and asked for it to come into my office. And then i get a dado set and some kino floes and a he kind of. I find it very difficult to answer something when a million people are in me. If i do something like tear, i get some private time to think about it,. Then i can share it with maybe two or three people, and then from there, maybe ten, 15 people. Does that make sense? E, we yes. But then, how does it ok? So then you do a film like lock or denial, or the other man, where you're moving from country to country,
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