
A brush with... Jeremy Deller
A brush with...
The Battle for the Public in Tate Britain
Tate Britain was a very different place in 2000 that is now, I know this. It was a new institution wasn't it then? So yes. In a sense. And so going into Tate Britain in 2000 with this work from the folk archive is like the public world coming into the gallery. And I think the gallery then couldn't really handle that. At that point they seemed very fearful of human beings and living artists. Mays isn't an exaggeration. But it just felt like you're just being told you couldn't do things. Having been out in the world where you could do whatever you wanted. The problems often happen when you go into the institution.
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