The Transition to Liaison at Warner Music Group

I started doing third party licensing for compilation, but clearing samples for people who would sample anything in the Warner music group catalog. And then I just transitioned over to the film and TV department was on,. We're almost on the same floor, raw licensing. But there was audio licensing, basically for compilations, greeting cards, soundtracks and things like that. And so around 2006, I just transitioned from audio over to visual. That's how I ended up working on the Ray Charles catalogue.