EDWARD BERGER AND JAMES FRIEND - Director and Cinematographer Team
Team Deakins
Filming a One-Off Movie?
I feel like single camera is always my preferred method. I would much rather work that way than actually be pointing two cameras at something that are both compromised. So we just cut it or set it on to do, to wait for us in the next location or something. And so there wasn't really any, there was no philosophy for it. It's basically Paul Boimer's movie. You know, like it's really just either his face or what he sees, kind of, you know?
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