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How to Create a Convincing Piece of Work From Minute One to the End
I imagine that some solutions might be best solved with something like a binorial head placed between two different kinds of speakers so you could create a spatializing and reamping combination effect. Well, that's certainly a technique that I've used many times in different ways. But nowadays it's just so easy to do with duplicating a track and then doing anything I want to it. Whether I want to combine it with the old track or not depends on how it's phasing or whether I've got mixed knobs involved. Yeah, those kinds of things. The reamping is not a big thing for you now. Unless it's really getting in the way. You know what I mean?