The Importance of Preparation and Opportunity

Anna can tell Lieberman doesn't just love her work at New York Magazine, he loves everything about her. So she decides to modify her chilly Charlie M.O. and play up her flirtatious side to get what she wants. Anna's learning how to handle men at the top. They both love modern art. It feels like a pursuit of beauty that can never be one, but can't be given up. And so does Lieberman. He officially offers her a job at Vogue with the prestigious title of creative director. She has no idea what a creative director even does.