Writing Endings and Giving Your Character Insecurity

Welcome to the last week of National Novel Writing Month! It’s okay if you aren’t going to finish your book, and it’s also okay if you don’t have 50,000 words! You still did a thing—you created a story that didn’t exist 

We want to talk about endings. How do you even write the end of a book? How do you do NaNoWriMo? There’s no right way! But there are several elements that can help you figure out how to write the end of your book. Our hosts give you guidance for environment, pacing, inversions, character changes, and the denouement. 

DongWon tells us why writing an obvious ending is not a bad idea, and Mary Robinette gives us advice for writing the ending of a series. 

Also, Dan offers a wonderful reframe for November if you’re not near the end of your book, or you didn’t reach 50,000 words. (Spoiler: it’s okay. You did, in fact, succeed.) 

Homework: 

Aim towards the MICE elements you opened. We're talking about the big ones here. In an ideal world, you begin letting your character have simple Yes or No answers to the "does it work" to close out the major threads in the inverse order that you opened them. Nesting code.

Thing of the Week: 

A final pep talk from Mary Robinette! 

Liner Notes: 

Better Call Saul

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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