This chapter explores the allure of shows like 'Emily in Paris' as a form of escapism in today's chaotic world. It contrasts the superficial charm of these dramas with the grim realities we face, concluding with a playful exchange before moving into sponsor ads.
Even before last month’s revised religious rules, Afghanistan’s women were being crushed under the Taliban’s thumb. Now they cannot even so much as raise their voices. While other countries try to crimp the flow of cheap Chinese electric cars, Britain is welcoming them—for now (9:55). And why the French have at last come to appreciate “Emily in Paris” (16:12).
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