Object Design - Is There a Minimum Effective Range?

Py talks about the fact that as an observer approaches an object, new elements, previously indistinguishable, successfully appear and come into play aesthetically. He says when you're at the threshold between those stages, that these like, he says it's like overtones of notes. And I think that really resonates when we're talking about antique furniture because, you know, you can look and see hints of something. You want to get closer. It's those hints that are really what draw you in.