VAMPIRES: Pt 3 - Nosferatu (1922) & Vampyr (1932)
The Evolution of Horror
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Is She Turning Into a Vampire?
It feels like for the very first time in film history, we're seeing that imagery effectively laid out. I don't think there's an explanation as such, but it's tremendously effective. And you know, thank god bat drye, although he'd largely committed to using amateur actors in this film, he did seek out a few professionals and ther i have one of them, and it pays off. This is one of the areas of film where we can connect it to dryar's larger philmography. There is nothing more changeable, more amorphous, more mecurial than the human face.
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